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Their tenth album with Signum Classics, the Armonico Consort directed by Christopher Monks return with two works by Francesco Scarlatti. This recording has been made using new editions of the works, (made especially for this recording) that follow only the autograph scores. Armonico Consort began life in 2001, set up by Christopher Monks and a group of university colleagues with a shared passion for music from the Renaissance to Baroque, coupled with the imagination to find new and unusual ways to present concerts. Audiences seemed to love their engaging and imaginative approach, and most concerts in the first years sold out. The founder and Artistic Director of Armonico Consort and its ground-breaking education programme AC Academy, Christopher Monks has established himself as a versatile and prolific conductor and keyboard player. Specialising in the performance of music from the Baroque and late Renaissance, Christopher is equally at home with major and modern choral repertoire. ★★★★★ "This extraordinarily successful release has a musical significance of the highest order. The performances throughout betoken both care in preparation and total commitment in the realisation of these neglected masterworks…This release is a shining example of what the gramophone can achieve" - The Organ ★★★★ "The sparkling setting of Dixit Dominus features dramatic word painting and a lavish use of a high trumpet; this performance is full of high energy" - Choir and Organ "It’s fresh and invigorating music and performances" - BBC Radio 3—Record Review -
One of the finest Mahlerians of our time, Dame Sarah Connolly brings her fierce intellect and glorious voice to the music she has spent a life-time studying and performing. In the first release of series curat- ed and performed by Joseph Middleton that will champion the complete piano accompanied Lieder of Mahler, the ‘superlative’ (New York Times) duo of Connolly and Middleton, present the three great song cycles of Mahler: Lieder eines Fahrenden Gesellen, Fünf Rückert Lieder and Kindertotenlieder. This is the first time Sarah has performed all three cycles on one album, which she is justly famous the world over for performing with rare insight and consummate artistry. Her voice is the perfect Mahlerian instrument. "[Sarah Connolly] These songs suit her so well…She has the range in every sense, and so does Joseph Middleton's articulate and beautifully weighted and coloured piano playing" - BBC Radio 3 Record Review ★★★★ "Isn’t there an extra urgency and depth of emotion about her delivery? Listen how she strokes and kisses the word 'liebe' …feel the intense sorrow engulfing her in the final Kindertontenlieder…whatever she sings, you get singing straight from the heart. You also get beautifully nuanced piano playing from Middleton, a musician seeminhly incapable of misjudging the careful balancing act necessary when accompanying lieder" - The Times ★★★★ Performance ★★★★ Recording "Sarah Connolly is too fine a Mahler singer not to let us relish this collection…her rapport with top lieder pianist Joseph Middleton allows for some very special interchanges, and his playing of 'Ich bin de Welt…' … is up there for top artistry…Well worth having if you live this mezzo - and who doesn't?" - BBC Music Magazine -
Following their critically acclaimed ‘Psalms’ album, St John’s College, Cambridge and Andrew Nethsingha present a selection of Magnificat & Nunc Dimittis recordings from January and July 2022. Much of the third volume in their series of Evening Canticles focuses on music in a twenty-year period, from 1945 to 1965. Philip Moore’s Magnificat and Nunc Dimittis were commissioned especially for St John’s College, Cambridge. EDITORS CHOICE "Musical jam all the way…programming that makes each disc a satisfying listening sequence…The choir inflect works spanning a world changing few decades, from the First World War to the 1960s, with distinct personality while maintaining a core sound that's always free and full, refreshingly natural… I can't think of a greater or more apt epitaph to the music director's time at St Johns" - Gramophone "The contrasting works…give the choir the chance to display their warm sound and versatility. They do, wholeheartedly" - The Observer "What a wonderful performance. The dynamics, the contrast, the utter confidence in the singing. Philip Moore’s St John’s service is a highly effective contrast, more intimate. And Bryan Kelly in c, is the flamboyant ending—syncopated jazzy, powerfully celebratory. Excellent solos, boys in great fettle, acoustic, well captured; it’s a fine series this is. Anyone who has ever sung or loved this kind of Anglican church music should be impatient for more" - BBC Radio 3 Record Review ★★★★★ "Another excellent disc in this fine series…The performances throughout are outstandingly impressive, beautifully balanced and always entirely suited to the nature of each setting…The superb acoustic of St John's College, Cambridge suits this wide ranging collection of musical styles to a T; Chris Hazell;s production values, and the engineering skills of Simon Eadon and Dave Rowell capture the essence of this fine music-making admirably. The result is what has come to be known as 'state-of-the-art'…A treasurable disc in many ways" - The Organ "Spellbinding…Another triumph for Nethsingha and St John’s" - Classical Explorer "[Kenneth Leighton] A deeply spiritual atmosphere is created at the words ‘For behold from henceforth'... The final phrase, ‘as he promised to our forefathers’, is truly magical…[The album, A] remarkable and striking work…documentation of truly outstanding quality" - Musicweb International "Andrew Nethsingha…gives masterful readings of the works and offers a very measured interpretation with tension, introspection and the true human need to communicate" - Sonograma "Nethsingha brings a marvellous sweep to the Magnificat, with well-judged tempi and thrilling support from organ scholar George Herbert. The trebles are exceptionally good and raise the roof in the final bars…this disc is a worthy successor to volume 2 in the series….The CD comes with excellent booklet notes, including a forward by the Revd. Lucy Winkett and an illuminating essay on Howells by Andrew Reid. Images of handwritten manuscripts provide rare glimpses into the compositional processes, and add scholarly value to this highly collectable disc" - Opera Today "A most interesting disc…Another triumph for Nethsingha and St John’s" - Classical Explorer "This is yet another very fine album from Andrew Nethsingha and the Choir of St John’s College, Cambridge. Throughout the programme the performances are consistently fine; they are clearly the work of a choir that has not only been thoroughly trained in the music but which also has a deep collective understanding of the texts they are singing. George Herbert plays the often challenging organ parts with skill and flair…The recorded sound is equally distinguished…This is a rather special disc." - Musicweb International -
This is Oliver Davis’ first album dedicated to the piano, and specifically two pianists, Dutch piano duo Beth & Flo. The album features this dynamic duo playing four hands piano and also on two pianos with full orchestra. The song cycle 'Siren Songs' features sopranos Grace Davidson, Julia Doyle and Grace's son chorister Joshua Davidson. The theme of the album is water, in its many forms with songs depicting a river journey, Sea Dances for four hands and strings, Sea Waltzes in addition to the Water Variations. The opening piece, The Water Garden, will be one of three singles being released prior to the album's launch. The pianists and singers are accompanied by the Royal Philharmonic Orchestra conducted by Paul Bateman. “[The] material nestles comfortably in the contemporary classical genre whilst avoiding the usual tediously contrived sentimentality some other composers rely upon...The opening track – Sea Dances for 4 Hands and Strings – quickly secured earworm status soon after I first heard the album” – Thoroughly Good Blog -
On this recording, the Choir of Men & Boys sings the Lutheran chorales preceding Bach’s organ settings. There are five organs in the church, three of which reside in the church space; the Miller-Scott Dobson Chancel organ [2018], the rear gallery Loening-Hancock mechanical action instrument, built by Taylor & Boody [1996], and the Martha J. Dodge continuo organ built by Taylor & Boody [2001]. The Tower carillon space houses a Peter Collins mechanical action organ [2008], and a 2-manual Aeolian-Skinner practice organ [1957] resides in the Choir Rehearsal Room. The Miller-Scott Dobson Organ is one of North America’s most significant pipe organs, supporting the parish’s internationally- renowned liturgical and musical life, while the rear gallery instrument, inspired by the tradition of organ building active in the Netherlands and North Germany in the 17th and 18th eighteenth centuries, provides foil to the Dobson’s eclecticism. ★★★★★ "Blending all of [the 5 organs] with acoustic seamlessness is a technical challenge triumphantly achieved in this recording which in ever way - from the chorales sung by the Choir of Men and Boys to Jeremy Filsell's magisterial playing - does full justice to Bach's monumental exploration…This is a compelling, definitive recording, affording boundless listening pleasure" - Choir & Organ ★★★★ Performance ★★★★ Recording "Beautifully balanced…an impressive 'tour'" - BBC Music Magazine "Each piece is played with fastidious care, with its mood and scale perfectly matched to an appropriate organ…Filsell provides yet another masterclass in manual and pedal dexterity, packed with interpretive insights and always mindful of a sense of flow and grace. Recorded by David Hinitt in the very best sound, this is a Clavier-Übung III to savour and revisit" - Gramophone “Another recording I can’t get enough of…Jeremy Filsell’s playing is awe-inspiring…I concluded that these performers and these organs have together produced the best recording of Clavier-Übung III I am ever likely to hear” - Choir & Organ -
In the 1970s the Bevan Family Choir, consisting of 10 siblings under the direction of their father Roger Bevan, released an album of choral music and toured the country, even making a documentary for ITV. Now, some of the children of those singers – 15 of the 53 first cousins…are set to release their debut album with conductor Graham Ross. The album is a celebration of their musical heritage and contains works by Stanford, Victoria, Palestrina, Tallis, David Bevan, Lobo and more. ★★★★ THE BEST ALBUMS OF 2023 SO FAR "[A] lovingly curated selection of works for voices… All received performances of exquisite subtlety and clarity" - The Times ★★★★ "The sound is rich and strong…I loved it…the blend is faultless…an album of joy" - Opera Now ★★★★ Performance "[Bevan's Magnificat] Lovingly performed. They are particularly good at strongly textured works…the works with intricate polyphony are pleasingly performed" - BBC Music Magazine -
“Après un rêve” is an ode to the French Belle Époque repertoire, depicting the beauty of dreams and the night. The album is an opportunity to hear and perhaps discover rarely played / rarely recorded wonderful works (Chaminade Nocturne, Duparc Aux étoiles, Poulenc Les soirées de Nazelles), alongside central pillars of the rep- ertoire, and includes a world premiere of Despax’s arrangement of Après un rêve. The album is attributed to his grandfather, Jacques Charpentreau, a French poet who adored this repertoire and frequently drew inspiration from the night in his works. Despax has curated some of his poetry, as well as works by other poets he admired to complement this music, taking the listener on an immersive poetic and musical journey through this nocturnal landscape. Classic FM ALBUM OF THE WEEK ★★★★ "Vividly recorded…dispatched with full-blooded power and melting tenderness by Emmanuel Despax…kaleidoscopic panache of Poulenc's Soirées de Nazelles, a particularly heart-tugging Clair de lune" - The Times ★★★★★ Performance ★★★★★ Recording "Despax is a formidable pianist, thoughtful and imaginative. Like an expert painter at the canvas, he carefully layers and tones sound, expertly measuring touch and pedal. This is beautiful playing, on an elegant yet substantial album" - BBC Music Magazine "This is a delightful recital" - BBC Radio 3 Record Review -
'Winged Dreams' will be able to download and stream on 19 May 2023. Winged Dreams is a sonic exploration of the full spectrum of emotions. Ranging from cinematic to intimate, powerful to understated — the project leaves no stone of the human experience unturned as it seeks to be a source of peace and hope in the midst of the certain challenges of life. It takes its name and inspiration from the poem “Weep No More” by John Fletcher. Each of the pieces in the suite can be found within the poem. Abilene’s signature sound shines throughout the recording as the ensemble marries classical elements with modern production in an unashamed pursuit of the beautiful. "We’re thrilled for the world to finally hear these pieces which are dear to our musical hearts. This project demonstrates our firm belief that relevance is often found through reinvention and music should serve, inspire, and elevate the soul" - Abilene -
"Da Vinci Requiem brings together my chosen Latin texts from the Missa pro Defunctis with extracts from The Notebooks of Leonardo da Vinci, and is structured in seven movements in the shape of an arch... It has been a fascinating exploration, aligning Leonardo’s extraordinary insights, both artistic and philosophical, with such a profound and ancient text. Seventy degrees below zero is a three-movement work for chamber orchestra and tenor soloist. [Inspired by work carried out by the Scott Polar Research Institute], the phrase for the title was taken from Scott’s Letter to his wife: ‘Dear, it is not easy to write because of the cold – 70 degrees below zero’. The scientific exploration and data collected by Captain Scott’s team at the beginning of the 20th century still powerfully underlies the research which continues to this day. It was with a desire to join the past with the present that I asked the poet, Seán Street, to write two poems to accompany Scott’s words: words from ‘then’ and words from ‘now’.” - Cecilia McDowall Wimbledon Choral has been described as “one of the most substantial and formidable choirs in London ... a vigorous and sophisticated choral ensemble”. The choir is over 100 years old, re-founded in the early stages of the First World War, but its earliest recorded roots go back to 1870. Today we are a modern, dynamic group of singers, always ready to stretch ourselves and try new things, making sure we keep up our reputation as one of the finest amateur symphonic choirs in south-east England. ★★★★★ "Wimbledon Choral, one of the most enterprising amateur choirs in south-east England, acquit themselves with aplomb in the Requiem, with Neil Ferris drawing from them a well-focused sound. Soloists are top-notch, with Benjamin Hulett giving a fine account of Seventy Degrees" - Choir & Organ ★★★★ Performance ★★★★ Recording "Gently swirling, shimmering, beautifully orchestrated textures often imbued with devotional mystery…The Wimbledon Choral, for whom it was written, are impressive, with clear lines and luminous hush under soprano Kate Royal's magnificent soaring lines in the beautiful Agnes Dei movement, Roderick Williams is typically compelling…Tenor Benjamin Hulett captures the changing moods, from the hopeful excitement via anguish to resignation…The City of London Sinfonia are sensitive partners to the voices throughout, while conductor Neil Ferris should be commended for his judicious pacing and marshalling of all involved" - BBC Music Magazine ★★★★★ "McDowall's Da Vinci Requiem is a masterpiece. The performance here is compelling [70 Degress below Zero] forms a perfect musical coupling…especially in such a fine performance as this…The performances are uniformally excellent, as is the presentation of this important release" - The Organ -
“Contemporary music and Commissioning have been central features of the last fifteen years at St John’s. It’s been a joy to work with talented student composers, singers and instrumental- ists; my own musicianship has been greatly enriched by their creativity and energy... After a 30-month break from sessions during the pandemic, we were very pleased to be able to record again in 2022. The material on this album comes from various times of year, whilst we were also continuing our Magnificat series. For the final sessions in December the outdoor temperature was forty degrees colder than it had been for the previous recording in July! The personnel of the lower voices had also largely changed, but I hope you will hear a successful continuity of sound- world. All the composers are alive today but, at the suggestion of one of them, we have omitted dates of birth so as not to intrude on their privacy. I’ve curated a sequence of music which aims to celebrate some of the broad range of styles in 21st-century choral writing. The premiere of Iain Farrington’s Nova Nova was the final piece in my last St John’s broadcast - I have often enjoyed pushing the boundaries of the Anglican choral tradition!” - Andrew Nethsingha CHORAL AND SONG CHOICE ★★★★★ Performance ★★★★★ Recording "The album gives a remarkable overview of contemporary choral trends…The choir's musicianship is superb and its vocal balance perfectly calibrated; the textures vibrant and the sensuous beauty of the St John's sound is expertly captured by Signum…A valuable addition to the choral library" - BBC Music Magazine “A superlative album… The sequence is beautifully planned and feels seamless” - Choir & Organ "This CD, with the now fully mixed choir of St John's, is outstanding in content and performance. It represents both a culmination of achievement and shines a light on the new possibilities for choral music in the future. It would be a mistake not to buy this." - Organists' Review "This superlative album represents Andrew Nethsingha's exploration of contemporary music during his fifteen years as Director of Music…beautifully planned and feels seamless…What a legacy he leaves" - Cathedral Music -
The latest release from renowned period ensemble La Serenissima celebrates the life and work of Nicola Matteis the Younger. Born in London to an Italian father and English mother, Matteis was immersed in the style of Henry Purcell before leaving England in 1700 for the Imperial Court in Vienna. All of the music on the album is – rather fortuitously – Carolean; either written for Charles II of England, or for (or in the realm of) Holy Roman Emperor Charles VI. It is all too easy to think that the English style and English musicians were unknown on the continent in the early C18, but this selection of music shows that this wasn’t (always) the case. There are some cracking dances and dance suites featured here as well as a ravishingly beautiful Vivaldi concerto and two superb Chaconnes, one by an Englishman, and one by an Italian. ★★★★★ ALBUM OF THE WEEK "Superb disc…La Serenissima's playing is perfection, at once courtly and refined" - The Times ★★★★★ Performance ★★★★★ Recording "An entertaining programme…Chaconnes by Purcell and Brescianello frame a programme where the strings of La Serenissima are responsive to nuance and congruent in sound" - BBC Music Magazine ★★★★ "[An] intriguing programme" - Irish Times -
One of Britain’s most popular contemporary composers, Patrick Hawes, has teamed up with the excellent Voce Chamber Choir of Connecticut to create an album of twenty brand-new Christmas choral works. Specially written for the choir, the first collection and album title, sets words by Patrick’s poet brother Andrew. The Nativity, for unaccompanied choir, moves through the Christmas nativity scene exploring the drama of this momentous moment in human history. For the second collection, Patrick has set Four Christmas Motets, the fragile ancient poetry giving rise to tender and heartfelt music for unaccompanied choir. The album goes on to explore the Christmas story through various texts, old and new, in works that are set to become extremely popular with choirs around the world. Composer Patrick Hawes says “Christmas is my absolute favourite time of year and it has been a joy to set such inspiring and dramatic words to music. The variety of texts - from ancient to modern – are all so relevant for today because they speak of eternal truths and the mystery of the Christmas story. I am thrilled with how Voce and their director Mark Singleton have brought a freshness of approach and musical excellence to their interpretation of this exciting project.” “This endearing set of Christmas pieces isn’t just music: it’s message, it’s poetry and celebration. Performed by an ensemble of a cappella voices in a traditional, strophic way, and with brilliant melodic figurations. It is worth highlighting, in this Christmas carol, the warmth and affection of the accompaniment of the organ by Stephen Scarlato.” – Sonograma Magazine "meticulously conceived across every perceptible dimension... this refreshing and restorative choral album showcases a remarkable array of synergies between traditional elements in a deceptively conservative idiom, namely Christmas choral music" - Classical Music Daily "'The Oxen' demonstrates how pleasing are Hawes' choral textures. The later aspects of the disk are no less interesting and fresh. And overall, this is both a splendid survey of Hawes; compositional élan, and his particular style. It is well worth having in one's library." - Organists' Review -
THE TRAVELLER for choir, children’s choir, orchestra, tenor, violin and speaker. The Traveller was the third in a series of four major works with words by Vikram Seth and music by Alec Roth, com- missioned jointly over four years by the Salisbury, Chelsea and Lichfield Festivals (2006-09). Each work featured the violinist Philippe Honoré as soloist, and each took a different geographical/cultur- al area as its starting point. EARTH AND SKY for children’s choir and piano (with optional percussion). Earth and Sky was commissioned by the BBC for the Proms 2000 season. In keeping with the millennial theme, a work presenting a vision of the future was requested. Trying to be helpful, the BBC provided me with a video containing the predictions of various experts, but their ideas seemed dizzyingly contradictory. -Alec Roth Ex Cathedra has performed Alec’s music in over 200 concerts since 2007. There have been large-scale commissions and recordings and many short ‘gems’. It is of consistently high quality with moments of absolute genius. The relationship continues to flourish. "Engineer Mike Hatch, working with producer Adrian Peacock, has achieved excellent results. All the various elements in each score – singers, soloists, instrumentalists – have been captured clearly and realistically by the microphones and a convincing balance has been achieved…This disc, featuring excellent performances, is a welcome addition to the representation on disc of Alec Roth’s music." - Musicweb International "Instantly accessible music with an Eastern twist…rhythmically catchy musical packaging" - BBC Music Magazine -
Their second Christmas album on Signum Records, Armonico Consort and Christopher Monks return with a new album featuring a collection of carols both old and new. They have created the perfect soundtrack for those who love an atmosphere at Christmas. Featuring world premiere recordings by Composer Toby Young and the first ever recording of ‘Star Song’ by Jonathan Dove on a Christmas album, there are also exquisitely sublime versions from ‘Silent Night’ to ‘Away in a Manger’. "It is ten years since our last carols recording, and we have collected some incredible works we have been so keen to record, including several commissioned from our composer in residence. Christmas somehow manages to inspire composers to write the most imaginative, both in terms of creativity and melodiousness, and Toby is an expert at making Christmas music sound just as we want it to be!" - Christopher Monks "This ["O Adonai"] is a beautiful, shimmering, numinous opener sung by soprano Emily Wenman. I could imagine this stilling the most restless of congregations at the start of a carol service and leading them into worship. There is a splendid selection of material… there is nothing that is not worth hearing in this collection, but my favourite is Elizabeth Poston's "Jesus Christ the Apple Tree". All the singing by the Armonico Consort is first-rate and ably supported by Edward Picton-Turberville on the organ of St Jude's Church, Hampstead. This is a well-chosen and well sung collection that should lift the hearts of all who hear it.” – Cross Rhythms"One of the most outstanding works of this recording is the already named The Star Song, a brilliant Christmas carol with a fabulously commissioned main theme, performed fabulously by the choir. The music selected by Christopher Monks is universal, within the best religious tradition. The sublime Angel's Carol by John Rutter and Jesus Christ the Apple Tree by the composer Elizabeth Poston live in the hearts of musicians, a wonderful canon of four sopranos that interweave the main melody with itself and create a delightful finale." - Sonograma Magazine -
Christmas carols have a universal appeal stemming from the tradition of music being played, sung, rearranged and rewritten by different generations in many different countries and over a number of centuries. Louis Halsey’s Nova! Nova!, a collection of new arrangements of many of the most well-known and beautiful carols from as far back as medieval times, represents perhaps the largest collection of carols by a single composer for many years. Hertfordshire Chorus and David Temple have recorded 23 of these carols in this beautifully presented new collection, including English, German, French, Czech, Basque, Welsh and Irish melodies. “What I love about Louis Halsey’s arrangements is that they are both tasteful and simple, allowing the beauty of each carol to shine through. We are thrilled to share these with a wider audience with this new recording.” - David Temple, Musical Director“This is an attractive CD of many familiar Christmas hymns and carols in arrangements by Louis Halsey for choir and organ. People looking for different, singable and listenable settings of some familiar music need not look further than this disc. ‘Joy to the world’, ‘Ding dong! merrily on high’, ‘O come, O come, Emmanuel’, ‘Deck the hall with boughs of holly’ and many others are found here. The Hertfordshire Chorus give spirited and committed performances of this repertoire. Their diction is clear and crisp, the dynamic contrasts are excellent, and their command of French and German is impressive.” - RSCM -
“To my ears, Llŷr Williams is one of the great pianists of our age.” John Gilhooly, CBE. His 15th album with Signum Classics, the Welsh pianist, Llŷr Williams, brings a profound musical intelligence to his work as soloist, accompanist and chamber musician. His new album of Robert Schumann works explores a selection of works that span a substantial part of Schumann’s life, including Papillons Op. 2 (written while he studied law at Leipzig University) all the way up to Faschingsschwank aus Wien published in 1841. Llŷr Williams’ long and successful collaboration with Signum Records includes the 8-disc box-set ‘A Schubert Journey’ (2020), the 12-volume ‘Beethoven Unbound’ (2018), a ‘Wagner Without Words’ double album (2014) and highlights from Liszt’s ‘Années de pèlerinage‘ (2012). "… the performances are always immaculate, their working out totally lucid; it’s unquestionably thoughtful, authoritative playing." ★★★★ - The Guardian"[Williams] is a subtle, sensitive, and eminently satisfying artists possessed of a magnificent technique, a glorious tonal palette and terrific musical intelligence... I found Williams’s entire approach to Schumann a breath of fresh air, finding new perspectives around every corner." - International Piano"Llŷr Williams’s poise, clarity and wholeness of approach, admirable in themselves, are no barriers to the passion, romance and reverie inherent in this generous selection from Robert Schumann’s piano catalogue … poetry and panache from both hands” - Colin's Column