Jonathan Lemalu

Jonathan Lemalu, a New Zealand born Samoan, is already at the very forefront of today’s young generation of singers. He graduated from a Postgraduate Diploma Course in Advanced Performance on the London Royal Schools Opera Course at the Royal College of Music and was awarded the prestigious Tagore Gold Medal. He is a joint winner of the 2002 Kathleen Ferrier award and the recipient of the 2002 Royal Philharmonic Society’s Award for Young Artist of the Year.

Jonathan’s debut recital disc was awarded the Gramophone Magazine Debut Artist of the Year award. He subsequently released his first solo recording, with the New Zealand Symphony Orchestra, and then a recital disc with Malcolm Martineau, featuring the Belcea Quartet.

He has performed at the Tanglewood Festival with the Boston Symphony Orchestra and at the Ravinia Festival with the Chicago Symphony Orchestra under Conlon.At the Edinburgh Festival he has appeared under Runnicles and Mackerras. At the BBC Proms he has performed with the Hallé Orchestra and with the New Zealand Symphony Orchestra. Other concert engagements include The Flowering Tree with the Tokyo Symphony Orchestra, The Damnation of Faust with the Toronto Symphony Orchestra under Dutoit, the Chicago Symphony Orchestra, the London Symphony Orchestra under Sir Colin Davis and with the Berlin Philharmonic Orchestra under Dutoit, Mendelssohn’s Elijah with the Netherlands Philharmonic Orchestra, Mozart arias with the Salzburg Camerata, Handel’s Messiah with the New York Philharmonic and the world premiere of Harbison’s Requiem with the Boston Symphony Orchestra under Bernard Haitink in Boston and New York.

Equally at home on the recital platform, he has given recitals throughout Europe and North America, taking him to Cologne, Athens, Birmingham, Amsterdam, Salzburg, Brussels, Baden- Baden, Vienna, Montreal,Vancouver, Atlanta, San Francisco,Washington, New York’s Carnegie Hall, London’s Wigmore Hall and the Munich and Edinburgh Festivals.

His operatic engagements in the UK have included Figaro (Le Nozze di Figaro) and Don Basilio (The Barber of Seville) for English National Opera, Papageno (The Magic Flute) for the Glyndebourne Festival and Zoroastro (Orlando) and Colline (La Boheme) at the Royal Opera House, Covent Garden. In Europe, he has sung the title roles in Saul and Le Nozze di Figaro, Argante (Rinaldo) and Leporello (Don Giovanni) for the Bayerische Staatsoper, Leporello for Hamburg Opera, Rodomonte (Orlando Palladino) and Papageno for the Theater an der Wien, Bottom for the Opera de Lyon and in Bari and Rocco (Fidelio) under Gergiev at the Gergiev Festival in Rotterdam. He also recently sang his first Porgy for the Styriarte Festival with Harnoncourt. For Opera Australia he has sung Leporello (Don Giovanni) and Mozart’s Figaro. In the United States, he made his debuts for the Metropolitan Opera Company as Masetto (Don Giovanni), for the Lyric Opera of Chicago as Papageno, the title role in Le Nozze di Figaro for the Cincinnati Opera and Queegueg in Jake Heggie’s world premiere based on Moby Dick for Dallas Opera.

www.jonathanlemalu.com/home.htm

  • 2012 marks the 15th anniversary of the first release from the leading independent classical label Signum Records. Beginning life as an early music specialist (with a landmark release of the Complete Works of Thomas Tallis with Chapelle du Roi), Signum has grown since 1997 to a catalogue of over 300 releases across a wide range of genres.  

    In this Art Song collection we bring together performances from across Signum's catalouge by singers including John Mark Ainsley, Sarah Connolly, Philip Langridge, Felicity Lott, Mark Padmore, Andrew Kennedy, Roderick Williams, Ailish Tynan and Hila Plitmann.

  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal. This is the third release in our series that will build to encompass the complete songs of Francis Poulenc – performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."
    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3

     
     
  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalisation, Poulenc set his music to a wide range of French poetry – both ancient and modern, and from the serious to the surreal.

    This release marks the first in a new series charting the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau. Future releases will feature several works that have never before been recorded.

    This disc includes the vocal works: Cocardes, Metamorphoses, Chansons gaillardes, À sa guitare, Épitaphe sur un texte de Malherbe, Trois Poèmes de Louise de Vilmorin, Bleuet, Dernier poème, Rosemonde, Fiançailles, Parisiana and La Courte Paille.

  • Composing over 150 works for piano and voice over a period of 44 years, the songs of Francis Poulenc remain consistently popular to concert audiences the world over. Varying in their individual style and character in a way that defies generalization, Poulenc set music to a wide range of different French poetry – both ancient and modern, and from the serious to the surreal.

    This second release in a new series charts the complete songs of Francis Poulenc, performed by some of the greatest singers of the day and accompanied by the exceptional Malcolm Martineau.

    Praise for the first disc includes:
    "Lisa Milne performs wonderfully throughout this Poulenc disc. She really sings the French as to the Manoir born … A nicely balanced and arranged recital for all of these voices, so a promising start to this new Poulenc series."

     

    Hilary Finch and Andrew McGregor, CD Review, BBC Radio 3