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Beethoven Lieder und GesaengeIain BurnsideJohn Mark Ainsley The second in a two part set of Beethoven's Lieder und Gesänge, with the luminous collaboration between the tenor, John Mark Ainsley and his accompanist Iain Burnside. Beethoven himself was not a keen song writer, yet despite this almost half of his total works call for a voice. This disc includes some of the best of those compositions. John Mark Ainsley is accomplished as both a concert and operatic vocalist, performing at some of the most well renowned venues in the world. As well as having great experience and success as a live artist he also benefits from an extensive discography which covers repertoire from Bach to Stravinsky. Iain Burnside enjoys a unique reputation as pianist and broadcaster and is most recognised for his collaborations with leading international singers. This will be Iain's seventh disc with Signum Classics.
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What people are saying
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"There is something monumental about John Mark Ainsley’s Beethoven. Iain Burnside’s fluid playing is delightful, while Ainsley’s artistry is fascinating." The Independent |
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"John Mark Ainsley’s instinctive musicianship at its best, perhaps, in ‘An Die Ferne Geliebte’, ‘To A Distant Beloved’, or as the poetic translation in the booklet would have it,’ To My Dear Girl, So Far Away’. " BBC CD Review |
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"John Mark Ainsley’s delivery is faultless, his masterly control of the line revealing profound emotion in these often under-estimated gems; Burnside’s piano parts are beautifully judged, too. This joins the Goerne as one of the finest lieder recordings I have heard in years. Put them at the top of your list." Klassisk Musikkmagasin |
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John Mark Ainsley
Iain Burnside
Release date: 12th Jan 2009
Order code: SIGCD145
Barcode: 635212014523
| 1. | Resignation | ||
| 2. | Abendlied unterm gestirnten Himmel | ||
| 3. | Andenken | ||
| 4. | La Tiranna | ||
| 5. | An die Hoffnung | ||
| 6. | Ruf vom Berge | ||
| 7. | Klage | ||
| 8. | Selbstgespräch | ||
| 9. | Adelaide | ||
| 10. | I: Wonne der Wehmuth | ||
| 11. | II: Sehnsucht | ||
| 12. | III: Mit einem gemahlten Band | ||
| 13. | Gesang aus der Ferne | ||
| 14. | Die laute Klage | ||
| 15. | Lebensglück | ||
| 16. | Der Wachtelschlag | ||
| 17. | An die Hoffnung | ||
| 18. | An die Geliebte/1 |
Tenor John Mark Ainsley is already recognized as one of the most exciting talents around. I have seen him on the opera stage singing everything from Schubert to Henze, and here in an all-Beethoven programme he shows a masculine intensity that, particularly in ‘Abenstern’, proclaim loud ad clear that we have a first-class Florestan in the making. We get ‘Adelaide’ and An die ferne Geliebte here, among lesser-known works, all sung with a total vocal and emotional commitment. A riveting singer. Tenor John Mark Ainsley is already recognized as one of the most exciting talents around. I have seen him on the opera stage singing everything from Schubert to Henze, and here in an all-Beethoven programme he shows a masculine intensity that, particularly in ‘Abenstern’, proclaim loud ad clear that we have a first-class Florestan in the making. We get ‘Adelaide’ and An die ferne Geliebte here, among lesser-known works, all sung with a total vocal and emotional commitment. A riveting singer. Della Couling |
Opera Now Magazine |
There is something monumental about John Mark Ainsley’s Beethoven. Iain Burnside’s fluid playing is delightful, while Ainsley’s artistry is fascinating. |
The Independent |




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